Here's a summary:
I am trying to figure out a way to up load the two interviews i was able to conduct this weekend, one with West Ellis, and one with that omniscient, Rez-centric figure, my mother. The Ellis interview may be of a grainy and distracted quality. While talking with him, his 20 month old daughter, Eseme systematically emptied my purse and put it back together. The shining moment: Eseme removing a tampax from it's paper wrapper and carrying the object in her mouth.
My biggest challenge for this project, I suspect will be getting to interact with the youth. There is a huge group of adults who would love to speak for them. Right now, a lot of data I am gathering is perception, which is falling into two categories.
1. "The Rez is great...no further comment, thanks you."
2. "Life here is really, really hard. The school is failing. We are poor. Alcohol abuse is rampant... Etc"
Perhaps, I am pig-holing my subject .I am just finding it very difficult to get a clear picture of the young people's lives. Ellis, however, was very helpful. He provided me with some insight into the security situations at KUSD, where the fences, brick walls, video cameras, and backpack searches originated and why.
Note: Investigate bomp threats, Insane Clown Posse, civil rights/privacy rights for individuals under 18.
But beyond that, Ellis gave me great little kernels of story. I don't know if he realized that that was the gold I wanted. Look forward to drafts. Ellis also told me that he has a study hall on Wednesdays and that i could come in and talk to his students than. Looks like I'll be making a few mid-week visits this fall.
So, anticipate my interviews.
Anticipate a typed up version of my experiences at the Kayenta cemetery. I believe that one of my essays will chronicle the perceptions of death on the Navajo reservation. I hope to juxstapose traditional Navajo attitudes towards death and illness, with modernity as well as tie those together with the death of my friend, Beranda Thinn, three years ago from alcohol poisoning.
My biggest fear is this project is going to be, because of my work with the Lumberjack, perceived as journalistic expositions. I am doing this as a labor of love, and a labor of a few other things. I am really worries about the doors i will be unlocking. I am really worried about hurting this community in my efforts to present an honest, emotional account of this life. There is a lot I am constructing form memory and from the lives of the people I have known. These reflections are a risky business.
Watch out for an interview with Nalani Piucci, a childhood friend, interview next week.